About: With Julia Child’s death in 2004 at age 91, her grandnephew Prud’homme (The Cell Game) completed this playful memoir of the famous chef’s first, formative sojourn in France with her new husband, Paul Child, in 1949. The couple met during WWII in Ceylon, working for the OSS, and soon after moved to Paris, where Paul worked for the U.S. Information Service. Child describes herself as a “rather loud and unserious Californian,” 36, six-foot-two and without a word of French, while Paul was 10 years older, an urbane, well-traveled Bostonian. Startled to find the French amenable and the food delicious, Child enrolled at the Cordon Bleu and toiled with increasing zeal under the rigorous tutelage of éminence grise Chef Bugnard. “Jackdaw Julie,” as Paul called her, collected every manner of culinary tool and perfected the recipes in her little kitchen on rue de l’Université (”Roo de Loo”). She went on to start an informal school with sister gourmandes Simone Beck and Louisette Bertholle, who were already at work on a French cookbook for American readers, although it took Child’s know-how to transform the tome—after nine years, many title changes and three publishers—into the bestselling Mastering the Art of French Cooking (1961). This is a valuable record of gorgeous meals in bygone Parisian restaurants, and the secret arts of a culinary genius - Publishers Weekly
My thoughts: Other than recognizing her name, I knew little else about Julia Child before delving into My Life in France, which was a Christmas gift from The Astronomer’s mother Jane. Prior to moving to Saigon, I was obsessed with books about food—systems, memoirs, cookbooks, etc., but have been deprived of delicious writing as of late. This book rekindled my love for the genre and piqued my interest in France and its cuisine.
I took away a couple of things from My Life in France. First, writing a comprehensive cookbook on French cuisine is incredibly difficult. I can’t believe she tested recipes 50+ times! Second, life can be fulfilling without having kids. Third, living abroad/total cultural immersion is a beautiful thing. Fourth, it’s never too late to find a true calling or passion. Fifth, make time for those you love and travel to see them often. Sixth, copper bowls are superior for whipping cream.
About: A vivid, funny, and viscerally powerful memoir about childhood, assimilation, food, and growing up in the 1980s.
About: Chef at New York’s Les Halles and author of Bone in the Throat, Bourdain pulls no punches in this memoir of his years in the restaurant business. His fast-lane personality and glee in recounting sophomoric kitchen pranks might be unbearable were it not for two things: Bourdain is as unsparingly acerbic with himself as he is with others, and he exhibits a sincere and profound love of good food. The latter was born on a family trip to France when young Bourdain tasted his first oyster, and his love has only grown since. He has attended culinary school, fallen prey to a drug habit and even established a restaurant in Tokyo, discovering along the way that the crazy, dirty, sometimes frightening world of the restaurant kitchen sustains him. Bourdain is no presentable TV version of a chef; he talks tough and dirty. His advice to aspiring chefs: “Show up at work on time six months in a row and we’ll talk about red curry paste and lemon grass. Until then, I have four words for you: ‘Shut the fuck up.’ ” He disdains vegetarians, warns against ordering food well done and cautions that restaurant brunches are a crapshoot. Gossipy chapters discuss the many restaurants where Bourdain has worked, while a single chapter on how to cook like a professional at home exhorts readers to buy a few simple gadgets, such as a metal ring for tall food. Most of the book, however, deals with Bourdain’s own maturation as a chef, and the culmination, a litany describing the many scars and oddities that he has developed on his hands, is surprisingly beautiful. He’d probably hate to hear it, but Bourdain has a tender side, and when it peeks through his rough exterior and the wall of four-letter words he constructs, it elevates this book to something more than blustery memoir.








