
- 3 cups whole milk
- 1/2 cup short-grain rice
- 1/4 teaspoon salt
- 1/2 cup milk
- 3 eggs
- 1/4 cup sugar
- 2 teaspoons vanilla extract
- 1/4 teaspoon ground cinnamon
- 1/4 cup raisins
- 1 tablespoon unsulfured molasses, optional
Bring milk, rice, and salt to simmer in heavy medium saucepan. Reduce heat to low. Cover and gently simmer until rice is very tender and liquid is almost absorbed, stirring occasionally, about 1 1/2 hours.
Whisk milk, eggs, sugar, vanilla, and cinnamon to blend in medium bowl. Stir in raisins. Gradually stir egg mixture into rice mixture. Stir over low heat until mixture is just thickened, about 6 minutes. Transfer to bowl. Stir in optional molasses. Cool. Refrigerate until well chilled. (Can be prepared 2 days ahead.)
Makes 6 servings.
Epicurious Television, September 1999
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Substitutions: I added the zest peeling from one orange (no pith) and a sprinkling of cinnamon to simmer with the milk, salt, and rice. I removed the zest after the rice absorbed the liquid. I only cooked the rice for 40 minutes rather than 90 at the suggestion of other cooks on epicurious.com. I added the juice of one orange to the egg mixture. I used a cup of orange flavored dried canberries in place of the raisins. Make sure to not reach a boil while pouring the egg mixture to the rice mixture.

About: As the New York Times‘s restaurant critic for most of the 1990s, Reichl had what some might consider the best job in town; among her missions were evaluating New York City’s steakhouses, deciding whether Le Cirque deserved four stars and tracking down the best place for authentic Chinese cuisine in Queens. Thankfully, the rest of us can live that life vicariously through this vivacious, fascinating memoir. The book—Reichl’s third—lifts the lid on the city’s storied restaurant culture from the democratic perspective of the everyday diner. Reichl creates wildly innovative getups, becoming Brenda, a red-haired aging hippie, to test the food at Daniel; Chloe, a blonde divorcée, to evaluate Lespinasse; and even her deceased mother, Miriam, to dine at 21. Such elaborate disguises—which include wigs, makeup, thrift store finds and even credit cards in other names—help Reichl maintain anonymity in her work, but they also do more than that. “Every restaurant is a theater,” she explains. Each one “offer[s] the opportunity to become someone else, at least for a little while. Restaurants free us from mundane reality.” Reichl’s ability to experience meals in such a dramatic way brings an infectious passion to her memoir. Reading this work—which also includes the finished reviews that appeared in the newspaper, as well as a few recipes—ensures that the next time readers sit down in a restaurant, they’ll notice things they’ve never noticed before.

